The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Sunday, October 23, 2016

Souls of Sin (1949)


In Harlem, temptation lurks around every corner. Hard luck gambler "Dollar Bill" Burton hates his squalid existence sharing a run-down basement apartment with a struggling writer and a penniless blues guitarist from Alabama. All three men dream of success in the Big Apple, but only Dollar Bill is desperate enough to stoop to crime to achieve it. Dealing cocaine for gangster Bad Boy George could be Bill's ticket out of Harlem - or it could be a one-way boarding pass to hell.
Souls of Sin (1949) is a poignant and literate portrait of a black man at a moral crossroads. The sobering subject matter is served with an enjoyable side course of music and comedy. This mixture was a tradition in many all-black productions of the 1930s and 40s, and makes for compelling viewing today.