The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Wednesday, October 10, 2012

Crooklyn (1994)










Starring:
  • Alfre Woodard
  • Delroy Lindo
  • David Patrick Kelly
IMDB.com
Crooklyn is an engaging film that stands out in Spike Lee's filmography, not only for Lee's seamless storying of everyday life in 70's Brooklyn, but also because of his interesting and innovative cinematic imagery. The cinematography Lee employs in Crooklyn helps to create fantastic -sometimes even cartoon-like- environments in which his characters spring to life and thrive. His dollying techniques (placing actors on dollies), lens choice, and manipulation of color conspire to add special characteristics to this film. This is a great film to watch not only for Lee's ability to highlight the beauty of the quotidian in his storytelling, but also for the aesthetic qualities that Lee produces with his rich filmic vocabulary.

Thursday, October 4, 2012

Mo' Better Blues (1990)































"Mo' Better Blues" (1990) is a film written, directed, and produced by Spike Lee. The movie features an excellent cast consisting of Denzel Washington, Wesley Snipes, Giancarlo Esposito, Cynda Williams, Joi Lee, and Bill Nunn. Branford Marsalis Quartet and Terence Blanchard are responsible for the film's score, with Bill Lee assisting in production. Ernest R. Dickerson is the cinematographer for the film. The movie had an estimated budget of $10 million and grossed over $16 million worldwide. It was Lee's fourth major production, while the previous three films were "Do the Right Thing" (1989), "School Daze" (1988), and "She's Gotta Have It" (1986).

By 1990, Spike Lee was pioneering a new wave of African-American filmmaking. However, the black film market had a prolonged period during the 1980s when Hollywood wasn't producing black movies as it did in the 1970s. Robert Townsend and Keenen Wayans were the few Black filmmakers that existed alongside Lee, but the industry was quiet overall. After his commercial success for "Do the Right Thing," Lee explored a music genre influential to him as an artist and filmmaker in "Mo' Better Blues." The jazz piece from the film was Lee's exploration of black jazz musicians in a tight NYC community and an attempt to introduce younger audiences to the richness of the genre. Films such as "St. Lous Blues" (1929, 1958), "A Man Called Adam" (1966), and "Lady Sings the Blues" (1972) are all excellent films that explore the genre, and "Mo' Better Blues" falls into the class.

Denzel Washington won an Oscar for Best Actor in a Supporting Role in the film "Cry Freedom" in 1988, which ignited his career to another level. Following the Oscar win, Washington starred in four movies, including "Glory" and "The Mighty Quinn," both released in 1989. Washington and Lee have worked with each other several times in films such as "Malcolm X" (1992) and "He Got Game" (1996), but "Mo' Better Blues" was their first project together. Wesley Snipes' career was also starting to excel at the same time. He finished filming "Major League" in 1989 and "King of New York" a year after with "Mo' Better Blues." After that, Snipes and Lee worked together again in "Jungle Fever" (1991), and afterward, Snipes' career reached incredible heights quickly. Denzel Washington and Wesley Snipes were two of the most prolific actors during the 90s, especially between 1990 and 1995.

Actors such as Giancarlo Esposito, Bill Nunn, Samuel L. Jackson, Joi Lee, and Leonard L. Thomas appeared in previous Spike Lee movies, so they were familiar with Lee's filming style. In addition, this film was Cynda Williams' first motion picture, so this was a new experience compared to the other cast members. Dick Anthony Williams brought his immense expertise to the set providing the movie with a supplementary layer of class. Finally, Robin Harris blessed the screen with comedic gifts by performing standup routines. When reflecting on Robin Harris' career, he only appeared in a few films, and "Mo 'Better Blues" is often not mentioned among "Bebe's Kids" and "House Party." And like many Spike Lee films, there are several cameo appearances in "Mo' Better Blues."

I recommend this film, as it perfectly represents Lee's brilliance as a filmmaker. While it's not his best film, it's still one of his better ones. Denzel stepped out of his usual character portrayals and explored his sensual and sexual traits as an actor. Plus, Lee knew how to present his actors with roles that would have them step outside themselves. 

Director: Spike Lee
Writer: Spike Lee

Starring Denzel Washington, Wesley Snipes, Spike Lee, Joi Lee, Cynda Williams, Bill Nunn, Giancarlo Esposito, Samuel L. Jackson, Leonard L. Thomas, Robin Harris, Jeff 'Tain' Watts, Dick Anthony Williams, Charlie Murphy, John Turturro, Nicholas Turturro, Steve White, Abbey Lincoln

Financially irresponsible Giant (Spike Lee) manages a jazz group, but his sax player, Shadow (Wesley Snipes), wants to replace him with a better business person. Bleak (Denzel Washington), the band's trumpeter, then tries to defend his close pal Giant, leading to a power struggle between the two musicians. Meanwhile, as Bleak tries to straighten things out with his bandmates and manager, he also must choose to be with either sweet teacher Indigo (Joie Lee) or sultry singer Clarke (Cynda Williams).

Wednesday, October 3, 2012

Rebound: The Legend of Earl 'The Goat' Manigault (1996, TV Movie)






























Starring:



Storyline
Based on a true story-He is probably the greatest basketball player who never made it to the big time. But Earl Manigault is a living legend on the streets of New York. REBOUND is his story. Shooting hoops in the playgrounds of Harlem, young Earl, nicknamed "The Goat," discovers he has a special talent for he game, a high-speed, high-flying agility that soon makes him a champion slam-dunker. 

As a high school star he reaches the top by pitting himself against future greats like Kareem Abdul-Jabbar, but staying at the top proves harder. Seduced by his friends into an easy lifestyle of parties and drug abuse, earl soon finds himself slipping from the top-and his battles are just beginning. Confronted by a team that consists of harsher realities-a brutal coach, a pregnant girlfriend, and a drug habit that won't let go-"The Goat" is about to discover that it will take all his energy and talent if he is to break free and REBOUND.