The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Thursday, July 11, 2013

Gang War: Bangin' in Little Rock (1994)




















Directed by:
  • Marc Levin
IMDB.com
I must admit that I may be a little partial to this title as it has somewhat achieved cult status amongst myself and my peers. This title is a beautiful first hand look into streetgangs as we know it with a unique twist. . . it's not inner city youth. Generally speaking, gangs are thought to be confined to America's inner cities affecting mostly Black and Latino youth. This documentary opens your eyes to what's not publicized, which is the fact that suburban youth indulge in this lifestyle as well which stems from an air of hopelessness and despair which is prevalent where gangs are prevalent. We all know hopelessness and despair transcend racial barriers so we are privileged to follow our gang members (Whites, Blacks, Latinos etc.) from their rites of passage into these gangs, to a typical day in the life of, down to death, murder and comraderie. Ultimately this documentary reveals a lot about the underbelly of the city where our last ex-president hails from. A must-see if you're a fan of HBO documentaries.

Colors (1988)





















Starring:
  • Sean Penn
  • Robert Duvall
  • Maria Conchita Alonso
IMDB.com
Before you had BOYS N THE HOOD or MENACE II SOCIETY, there was COLORS. This movie is the original article in urban-street dramas that spawned many followers in the 90's. But like those films it is an intense, powerful movie that takes you to the streets in an extremely realistic way. The caption on the VHS cover says something like two gangs at war(Bloods & Crips)with the police caught in between. Well, that is pretty misleading. Although most films like this would stick with the gang war as the main focus, COLORS has many different plot levels that all come together very nicely. Sean Penn & Robert Duvall are right on the mark as the two officers on the beat. The film ultimately succeeds through its perspectives, giving points of view from all sides and fully expresses the harsh reality that everyone involved faces. When the film first came out, it was bashed for its extreme violence and portrayal of gang members. Well, I definitely think Dennis Hopper did an excellent job and I feel that violence is crucial in a film like this to add to its strong sense of reality which some people may not be too familiar with.

Thursday, July 4, 2013

Bad Boys (1995)






















Starring:
  • Will Smith
  • Martin Lawrence
  • Lisa Boyle
IMDB.com
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.

I had no high hopes when I walked into this film. I like Will Smith, I like Martin Lawrence, so I figured this film will at least be funny. And it was funny, and then some. It was action packed, thrilling and a helluva good time. I came out of the theatre thinking that the guy who directed that movie is going to be huge.

Michael Bay, former music video and commercial director, has made an incredible directorial debut. The film never stops. When it isn't action-packed, it is funny. It is sexy, fun and always moving. Christian Wagner's editing is phenomenal. I love action movies that really try to be action movies. A lot of action films know that they are action films so they try to incorporate other genres to make the film more complete, but they often fail miserably. They try so hard to be something they are not that they forget what they are in the first place. The essence of the action film is the action. It is a necessary component, it needs to be there otherwise it loses its edge. "Bad Boys" doesn't just throw in the occassional action sequence to meet the expectations of the genre, but instead uses the action to help tell the story. It is this use of filmmaking that allows an action film to remain an action film and still go beyond.

Watch "Bad Boys" again and every time there is an action sequence, ask yourself why that was there and what did it accomplish. You will find that each sequence took the film to another level; it introduced an new conflict, it increased the present conflict, it eliminated a key character, it introduced a new character, and so on. There are a lot of action films out there that sacrifice story for spectacle, and the audience notices this. At the centre of all films lies the story and if it comes to a halt so does the interest of the viewers.

"Bad Boys" of course isn't the greatest story on film, or even in the action genre, but what is so appealing and memorable about "Bad Boys" is that it is just as entertaining with its story as it is with its action by combining the two without sacrificing either. Michael Bay understands the importance of the story within the structure of the film. He tells a visual story, entertaining and complete, and leaves you very satisfied. Watch for Michael Bay because he is here to stay.