The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Thursday, August 25, 2016

Hot Biskits (1931)















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Spencer Williams's first film is a one-reel comedy short in which a rivalry between two men is played out in a high-stakes game of mini-golf.

The Darktown Revue (1931)









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As a filmmaker, Oscar Micheaux was something of a firebrand, but his attitudes and methods were anything but predictable - often leveling criticism at certain strata of the African-American community. His most outrageous film is a traditional minstrel show - an olio of broad comedy and choral interludes. It is an acknowledge of minstrelsy as a defining tradition of African-American stage performance. If nothing else, The Darktown Revue is an invaluable historical document for recording on film the "Hard Shell Sermon" routine popularized by turn-of-the-century minstrel performer Amon Davis. but there is something else. True to form, Micheaux's depiction of a minister is not flattering. Davis's comic sermon of gibberish is a scathing satire of charismatic religion, made even more troubling by the fact that it is performed by a black man in blackface.By the same token, one cannot help but wonder if Micheaux was further provoking his audience by having the uplifting Donald Heywood choir open the film with a rendition of "Watermelon Time." 

Howard Beach: Making A Case For Murder (1989)





























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In December, 1986, three black men ran into car trouble in Howard Beach, a middle-class neighborhood in New York City. Unable to start their car, they sought refuge in a nearby restaurant. What happened later that night shocked the entire city.