The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Sunday, March 10, 2013

Carbon Copy (1981)

















Starring:
  • Denzel Washington
  • George Segal
  • Susan Saint James
IMDB.com
A white corporate executive is surprised to discover that he has a black teen-age son who can't wait to be adopted into the, almost-exclusively-white community of, San Marino, California.

They Call Me Mr. Tibbs! (1970)


















Starring:
  • Sidney Poitier
  • Martin Landau
  • Barbara McNair
IMDB.com
This sequel to "In the Heat of the Night" will suffer in inevitable comparisons to its infinitely better predecessor. Instead of looking like a theatrical movie edited for television, "Mister Tibbs" looks suspiciously like a TV movie edited for theatrical release, with grainy photography, cheesy opening titles, and sets that look like they're made of plywood. The murder sequence has a glaring continuity error: the camera shows two hands choking the girl, then a shot of a hand reaching for a statuette, then a shot of the girl being choked with two hands again, and finally the statuette coming down for the fatal blow. Solving the case should be easy: find the only guy with three hands! But the shoddy production values can't completely obscure this film's considerable merits: namely, Sidney Poitier's performance as the cool detective determined to follow the evidence wherever it may lead, even if it implicates a friend. Martin Landau is also convincing as the do-gooder preacher-activist suspected of brutally murdering his prostitute girlfriend. In addition to being haunted by the case, Tibbs is conflicted about his home life, but the issues of race and Tibbs' barely concealed sense of social outrage are absent here. So is the complex murder mystery that made "In the Heat of the Night" so compelling.

Friday, March 8, 2013

Demons (1985)













Starring:
  • Urbano Barberini
  • Natasha Hovey
  • Karl Zinny
blackhorrormovies.com
One of the most energetic, entertaining, and Hollywood-friendly films of the '70s/'80s Italian horror Renaissance, Demons is also one of the few to feature major black roles, in this case a pimp (Bobby Rhodes) and a hooker (the redundant Geretta Geretta). How refreshing! It's good to know that Italy has stereotypes too.

Beverly Hills Cop II (1987)



 













Starring:
  • Eddie Murphy
  • Judge Reinhold
  • JĂĽrgen Prochnow
IMDB.com
The original Beverley Hills Cop is one of those films that remains a cult classic because of the fact that it's such a product of the time it was made. This quintessential eighties style is carried over to the sequel, made three years later, and although part two; like many sequels, never quite manages that same verve as the original film - it still offers a good time, and anyone that enjoyed the first instalment (and who didn't?) will probably have a good time with this sequel too. All the main players from the original film have been rounded up once again, with Eddie Murphy heading a capable ensemble cast, lots of wisecracks and some gratuitously over the top action sequences. The plot is, as you would expect, superfluous to the style of the film; and much of the movie is simply tailored around it; but anyway, it follows maverick copper Axel Foley and his two California police cronies as they are pulled into a case known as the 'alphabet murders', which involves a robbery, a tall blonde woman and a gun shop owner.

I've got to say that Eddie Murphy's wisecracks were a lot funnier in the first film. While they were still over the top, they were at least sort of believable. Here, however, Murphy goes massively over the top, and it's hard to imagine how anyone that obnoxious doesn't end up with a cracked jaw. Anyway, Murphy obviously enjoys himself; and if you can get by the complete lack of logic, you probably will too. True to style, the action is completely over the top too; with several ridiculous sequences combining to make the movie the entertaining blockbuster that it is. The film lacks any kind of themes or substance, meaning that it will both not please serious film fans, and that this reviewer is running out of steam; but I will say that this movie does have a point to make, and that is simply entertaining it's audience. It may be completely silly, illogical fun; but some movies need to be there just to entertain, and this is one of those. I wouldn't recommend sticking this movie at the top of any must see lists, or going into with huge expectations; but it's a good time, that's for sure.