Jazz On A Summer's Day (1959)

Starring:

• Louis Armstrong
• Mahalia Jackson
• Chuck Berry

IMDB.com
Bert Stern captures the Newport Jazz festival of 1958 in vivid color and with clarity. While jazz is the primary focus of the film, Stern does meander to the America's Cup race that was being contested off Newport at the time, along with some diversionary local flavor, which gives us a sense of what it was like to actually be there. Continuing along this vein, during the festival itself, Stern spends much of his camera time observing the audience caught unaware reacting to jazz on a summer day; after all, live music does not exist in a vacuum. It's this footage along with the incredible jazz music that makes this documentary really special. As a viewer we get to react to the music, and react to the audience reacting to the music. That girl with the seductively cute smile in the yellow dress, and that gruff man hiding behind the shades with the nervous twitch are people that we can connect to from our own personal experiences at open air summer concerts. The feeling of community one gets as the music breaks down the barriers and the sun begins to set. Stern allows his moving compositions to develop and flesh out the character of his subjects, giving us a nostalgic feeling for a time gone by that may have occurred long before we were even born. It does not matter because we are there! But this particular slice of time has special significance, because jazz would soon be replaced in popularity by Rock & Roll. We watch it happen before our eyes as a young Chuck Berry takes the stage. Backed by some excellent jazz musicians, all looking "amused" but not taking very seriously the music that would knock them off the charts for good within a couple of years. As Berry's classic Rock & Roll riffs project across the audience, young people spontaneously jump to their feet and start moving to the rhythm while their parents watch, perplexed.

Round Midnight (1986)

Starring:

• Dexter Gordon
• François Cluzet
• Gabrielle Haker

IMDB.com
In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950's New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner's music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near.

Black History: Lost, Stolen or Strayed (1968)

Hosted by: Bill Cosby

IMDB.com
This is a very poignant documentary that was narrated by Bill Cosby back in 1968. The film is about Black identity and pride and how they have been compromised due to omissions in history books as well as Hollywood's depiction of Black America. Both of these problems essentially boil down to a disdain for Black culture and identity. This film came out in the 1960s when Black Americans were no longer accepting that they were second best--a very positive step in our society.

I first saw this film when I was in middle school back in the late 1970s. Sadly, our teacher tried showing it to us because the film had many wonderful lessons but what I remembered most about the film is how the White students laughed at the images of Blacks in films, such as from BIRTH OF A NATION or the antics of Steppin Fetchit. Now, thirty years later I was able to get my own copy of this documentary--no small feat considering how obscure it now is.

I was very impressed by this film and liked the overall message. Bill Cosby is a reasonable man but it's also nice to see that at times, he's angry as he talks about the de-humanization of Black men and women in films--with "Aunt Jemima" images, the myth of the "happy slave" as well as the "slow-witted Negro". All this is very poignant and can't help but make his point. If anything, this documentary actually was somewhat gentle in its condemnation of these films--and made no mention of the worst offenders, cartoons (such as the horrible COAL BLACK AND DE SEBBEN Dwarfs).

Also seen in the film is some of the counter-reaction to these images in the Black community--such as a school intended to "brain-wash Black kids" (Cosby's words) so they won't buy into the lies that make a Black man any less of a man. Sadly, however, this film was made in 1968 and there is so much to the Black Power movement and the 1970s that couldn't have been covered. In fact, there's so much from the 80s and 90s and today that couldn't be covered. This film is aching to be remade by Cosby, as racism is seen in different forms today and there are still unnecessary divisions in our country that need to be identified and addressed. He's a very, very smart and talented man and I would love to see his take today on what's going on right and wrong between Black and White America.

Huey [a.k.a. Black Panthers] (1968)

 

Starring:

• H. Rap Brown
• Stokely Carmichael
• Eldridge Cleaver

"This riveting documentary, "Black Panthers - Huey!", directed by French filmmaker Agnes Varda transports you to the pivotal Free Huey rally held on February 17th, 1968 (Newton's birthday), at Oakland Auditorium in Alameda, California. Newton, the charismatic young college student who, along with Bobby Seale, created the Black Panther Party, had been jailed for allegedly killing a police officer. His arrest--widely believed at the time to be a setup--galvanized Party support throughout the nation and led to a boom in Party membership, bringing a new level of public attention to the Panthers' cause. Over 5,000 people attended the rally, which featured Party leaders and guest speakers including Eldridge Cleaver, Bobby Seale, James Forman, Bob Avakian, Stokely Carmichael, H. Rap Brown and Ron Dellums. Through stark un-editorialized footage, this documentary chronicles the speakers outlining the Party's platform goals, their strategies for freeing Newton from jail and more."

Plus: BLACK PANTHER NEWSREEL (USA, 1968): The California Newsreel was an underground alternative to the commercial broadcast media of the 1960's.