The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Friday, January 26, 2018

Music Hath Harms (1929)














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Storyline
In Harlem, Bud Peagler's "Barbecue Lunch and Poolroom" (the home of Brunswick Stew), also serves as the meeting place and hangout for many citizens and organizations such as 'The Sons and Daughters of The I Will Arise Society," and also Mosby's Blues Blowers. It is also where Roscoe Driggers hangs out. Roscoe claims to be the world's champion cornet player, although he can't play a note, even a sour one. But when the chance to earn $500 for playing his cornet at the big concert held by the "Over the River Burying Society" arises, Roscoe signs up. Roscoe needs $500 in order to buy a beauty shop for his manicurist-fiancée, Zenia Sprowl. 

Roscoe makes plans for his buddy Sam Ginn, who can play a cornet, to hide under the stage and play while Roscoe fakes it on the stage. But Sam gets taken out by some dudes who have a bone to pick with Roscoe. No sweat, though, as another of Roscoe's musician friends, Willie Trout, sees this and takes Sam's place under the stage....with his saxophone. 

Symphony in Black: A Rhapsody of Negro Life (1935)


















Starring:

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Duke Ellington plays his symphonic jazz piece ('A Rhapsody of Negro Life') with his orchestra against slice-of-life background scenes. The four movements: 1) The Laborers, 2) A Triangle: Dance, Jealousy, Blues, 3) A Hymn of Sorrow, 4) Harlem Rhythm. 

New Orleans (1947)































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Music's greatest legends re-enact the birth of jazz in this song-filled tribute to the town where it all began: New Orleans! Arturo de Cordova stars as Nick, the proprietor of a Bourbon Street gambling joint, and artistic haven for African-American musicians. When he falls for an opera-singing socialite, Nick realizes that only through music will he gain respectability, and launches a campaign to bring jazz to the highbrow American stage. 

A refreshing rediscovery, New Orleans is especially noteworthy for its lack of racial stereotypes, as well as the high caliber of performances delivered by its stellar cast, including Louis Armstrong, Woody Herman, Kid Ory, Meade Lux Lewis and more. Perhaps the film's most memorable number is "Farewell to Storyville", a haunting blues melody sung by Billie Holiday as she leads a procession of black musicians exiled from the city -- a sequence that beautifully captures the melancholy and grace of Holiday's inimitable performance style. Other musical highlights include Holiday's rendition of "New Orleans", Armstrong's "Endie" and "Where The Blues Were Born", and their duet "The Blues Are Brewin". Also included in this DVD are two musical shorts from Paramount Studios (A Rhapsody In Black And Blue featuring Armstrong and Symphony In Black with Holiday and Duke Ellington) as well as an essay on the making of New Orleans, which originated as a project for Orson Welles.