The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Showing posts with label 2000s. Show all posts
Showing posts with label 2000s. Show all posts

Wednesday, July 3, 2013

Idlewide (2006)























Starring:
  • AndrĂ© Benjamin
  • Big Boi
  • Paula Patton
IMDB.com
A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father.

What could Outkast do next to top the success of their double cd speakerboxx/love below? The Impresarios of Rap present Idlewild—a hip hop love story set against the daily grind of running a juke joint during Prohibition in the town of Idlewild, GA. All the players were there, the piano player, the singer, and of course, the bootlegger. Whether it's a murder mystery, a gangsta tale, or a love story can be debated after you see it…just go see it.

Idlewild, a film by Bryan Barber starred Antoine Patton and Andre Benjamin. However, the music was done by Big Boi and Andre 3000. Outkast fans will get the difference. The rest will have to see to believe. Let us not forget, where there is a Big Boi and an Andre there will be a fair amount of quirky, a little bit of weird, a lot of imagination, and some stepping outside of the "speakerboxx".

The film had the musical stage appeal of Chicago with the black gangsta love of movies like Harlem Nights and Hoodlum. But unlike those Yankee tales, this story took place in the south before it became dirty or is it derty???? (where's my ebonics dictionary?) It speaks to a time and place accurately and without insult. It was clever and funny but also a little predictable. Which was ideal because the storyline is actually just scenery for all the incredible musical numbers and didn't need to be complicated. The characters had that two-dimensional feel reminiscent of the melodramas so popular in the 1930's. Idlewild rose to the challenge and very successfully captured the times, which is often a difficult task in a period piece.

Saying Outkast has an innovative approach to music is like saying that guy Picasso is alright with a paintbrush. The original score by Outkast blended the sound of the 30's, the jazz, the blues and the swing with rap and soulful rhythm and blues. It was kind of like a family reunion for home-grown syncopation. It was ingenious as well as inspired. The choreography only complimented the musical numbers giving the audience a complete juke joint experience.

The film also offered notable cameo appearances by Cicily Tyson, Ving Rhames, Bruce Bruce, Patty Labelle and the tease of Tony award winning Ben Vereen who doesn't dance. Also noteworthy is Macy Gray's performance as the falling diva Taffy.

If Rappers must make movies, they should all be so good.

Baby Boy (2001)























Starring:
  • Tyrese Gibson
  • Taraji P. Henson
  • Omar Gooding
IMDB.com
This is the story of Jody, an unemployed young black man, who's been living with his mother for several years, even though he's got a child of his own. Romantically, he's having relationships with two women: the mother, Yvette of his son, and a new interest.

John Singleton did an excellent job portraying a young African American urban male, who is not a gang member or a street pharmacist. Jody is just trying to live. I thought the opening scene was very artistic, didn't love it though. I loved the relationship between Jody and his best friend Sweetpea. Both are trying to live but with different ways to do it. But despite differences, they both have each other's back. I liked Ving Rhames character as well (Melvin). Melvin showed that the street mentality never leaves a street thug, but he can learn to make better and more positive choices. His character showed that anyone can make it in life, once they have accepted who they are and where they are going. The women played strong roles as well. Not the typical cinematic role for a black woman either. Both Yvette and Jody's mother, Juanita, proved to be strong black women in their own way. Excellent movie, a little sluggish once or twice, but whose life isn't?! Singleton kept it true to the game. No one's life is truly cinematic, if it was then we wouldn't need cinema.

Friday, June 21, 2013

Black Devil Doll (2007)


















Starring:
  • Jonathan Louis Lewis
  • Chris Lewis
  • Minh Bao
IMDB.com
A young, moist, buxom teen vixen finds herself hurled into an odyssey of forbidden sex and unspeakable violence after an innocent evening dabbling in the occult. What started as a simple child's game has now become a fight for her life! What is this evil that she has summoned from beyond? And why does it have a fro? What kind of horrific acts will she be subjected to? And what price will her super-hot, half-nude friends have to pay?

It's all in good fun... Right? No, I don't believe it is. What would be the fun in that, anyway? I don't care who you think you are. I don't care if you think Combat Shock was hilarious. This new and greatly improved Black Devil Doll will grab your sensibilities by the throat and cut it open, and whatever happens after that is your own damn fault. Black Devil Doll is a half homage, half remake of a mind-numbingly awful pile of Z-grade garbage, from the 80's, entitled Black Devil Doll From Hell. A film that, over the years, has gained a bit of a reputation as (arguably) the worst in history. And might I add, a film that has been seen by far too few. but apparently, one day, an aspiring director asked himself a very important question. "What if Black Devil Doll From Hell was a masterpiece?"

Sure, with a little tweaking, here and there. Hire some actual actors. Put some actual money into it. Maybe even cut a few minutes off the opening credits. It could actually turn into something. And what this new Black Devil Doll has turned into will cause a laughing/crying fit, which will know no relief until it's all over. So, a dim-witted chick named Heather messes around with a ouija board, for no particular reason, instantly causing a doll to be possessed by the soul of an executed black-militant (Mubia), who despised white people, and loved raping and slaughtering white women. It's pretty much love at first sight. Although, it might be a short-lived romance, because one woman ain't never enough for this guy, but maybe with a little smooth-talk, Mubia can convince Heather to not only let him cheat on her, but maybe even let him rape and slaughter all her friends... As if she has a choice. Only problem now is just getting her out of the house.

What we have here is simply the most offensive, most outrageous comedy of the past decade. Possibly the most offensive movie since Pink Flamingo's. that's right, I'm a John Waters fan, a Troma fan, and an LBP fan, and now that I've seen Black Devil Doll. I can finally say that I've seen it all. Besides the obvious, Black Devil Doll is also a homage to old Blaxploitation, and Exploitation, in general. I suppose what this film is homaging, and what it actually is, is one in the same. Folks, this is a perfect example of modern Exploitation. For more in future cult classics from this past decade, check out Special Dead, and Sick Girl. If you're smart enough to not take movies seriously, and If you have a sick sense of humor, like someone I know, you will find Black Devil Doll to be positively delightful. And that's a guarantee. 10/10