The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Showing posts with label 1994. Show all posts
Showing posts with label 1994. Show all posts

Tuesday, March 26, 2013

Beverly Hills Cop III (1994)

















Starring:
  • Eddie Murphy
  • Jon Tenney
  • Joey Travolta
IMDB.com
I think "Beverly Hills cop III" was an extremely regrettable turning point in the nice career of one of the most talented and funniest black comedians Hollywood has ever seen - Mr. Eddie Murphy. Before it he used to be funny or at least much funnier. He appeared in the rather enjoyable flicks like "48 Hrs.", "Coming to America", "Another 48 Hrs.", "The Distinguished gentleman", "Boomerang" and of course "Beverly Hills cop I & II" - two beloved movies that will always be his very best works.

Then someone decided to add part three in the so far terrific "Beverly Hills cop" saga. This time Axel Foley was on the mission of revenge and the comedy was unfortunately replaced by action. Who forgot that most of the glamor behind these movies came directly from the humor? Even though John Landis - the man behind hit comedies like "The Blues Brothers" and "Three Amigos!" - sat in the director's chair the end result just wasn't that funny anymore or at least it was funny very rarely and that's a bad thing if we compare part three to its absolutely hilarious precursors. ...and as it happened, after "Beverly Hills cop III" Eddie Murphy got roles from the movies like "Vampire in Brooklyn" (with only couple of excellent scenes), "Metro" (that apparently wasn't supposed to be funny in the first place), "Doctor Dolittle" (cute little film for kiddies who love furry animals that talk), "Holy man" (interesting but more confusing than amusing) and "Nutty Professor II: The Klumps" (definitely one of his worst movies, waste of his undisputed talents and a model example of a comedy that doesn't make you laugh).

Lately I saw "Life" and surprisingly it was pretty brilliant and alongside with fairly good "Bowfinger" it's the only completely clear exception in this course. What I'm saying is, "Beverly Hills cop III" started it all. Was it all just a coincidence or was it meant to be that Eddie Murphy's best years were in the 80's and early 90's? I can't tell. This is just the way I see things.

Wednesday, March 20, 2013

Foreign Student (1994)




















Starring:
  • Robin Givens
  • Marco Hofschneider
  • Rick Johnson
IMDB.com
Paris, 1955. Philippe Leclerc is overjoyed: he has just been granted the fellowship he applied for and he will be able to study for a year at the prestigious Asheland-Stuart University of Virginia. Once on the spot, he discovers how different the South of the USA is from his native France and the period of adjustment is no bed of roses, notably when he mistakes American football for soccer while playing a game and becomes the laughing stock of the college. Philip nonetheless gains the friendship of the captain of the team and gradually adapts to his new environment, discovering American literature through the lectures of a fascinating professor, rock and roll and jazz, among other things. A Southern belle, Sue Ann, falls for his Latin charm but, unfortunately for her, her love is unrequited and she breaks down nervously as a result. As for Philippe he falls madly in love with April, a beautiful Black domestic worker...

Sunday, January 20, 2013

Hoop Dreams (1994)

















Starring:
  • William Gates
  • Arthur Agee
  • Emma Gates
IMDB.com
This documentary follows two inner-city Chicago residents, Arthur Agee and William Gates, as they follow their dreams of becoming basketball superstars. Beginning at the start of their high school years, and ending almost 5 years later, as they start college, we watch the boys mature into men, still retaining their "Hoop Dreams". Both are recruited into the same elite high school as their idol, former Detroit Piston superstar Isiah Thomas. Only one survives the first year; the other must return to a high school closer to his home. Along the way, there is much tragedy, some joy, a great wealth of information about inner city life, and the suspense of not knowing what will occur next. This is not a "by-the-numbers" film.